THE AFTERLIFE

"The Afterlife" is a disco manifesto where Barton transforms classic pop songs into hypnotic dancefloor experiences. Through reimagining tracks by iconic artists such as Neil Young, Laura Branigan, Patrick Cowley, and Grace Jones, he shapes a unified sonic universe where every reinterpretation opens a different portal into the same shimmering field. Each song becomes a door into that liminal space, inviting both introspection and release as listeners move between memory and possibility. By infusing these timeless tracks with his artistic vision, Barton invites dancers to discover the unexpected in familiar melodies, travelling through a soundscape where time collapses, love lingers, and the dancefloor becomes a cathedral.

Blurred cityscape at night with bright pink, red, and white lights and a large white digital billboard.

"The Afterlife" presents itself as a disco manifesto that explores the tension between love's permanence and the transient circumstances that sometimes prevent its full expression. The album's careful sequencing creates a narrative arc that moves from defensive introspection through celebratory liberation to a moral choice about honouring love's reality despite circumstantial change.

The album's use of disco serves a dual purpose — while offering moments of liberation and collective joy through temporal collapse, it also channels the genre's transformative power, particularly within LGBTQ+ culture. This cultural context adds depth to the album's exploration of how authentic connection transcends circumstantial limitations.

Ultimately, "The Afterlife" argues that transformation comes not from accepting loss but from recognising that love operates on a level that circumstances cannot touch. The album's narrative suggests that growth emerges from choosing love's permanence despite changing external realities, creating space where the dancefloor becomes sacred territory for processing what endures when everything else shifts.

A JOURNEY Through THE Afterlife

A blurred image with indistinct shapes and colors, no clear objects or details visible.

To look into The Afterlife is to peer through a keyhole into a liminal space where memory and possibility dance together — a threshold between who we were and what we might become. The afterlife is not an ending, but a shimmering field of transformation: a dancefloor where ghosts and longing mingle with hope, where old songs refract into new colours, and where the bridges we build carry us across time and genre. Here, in the in-between, we are bathed in a special light — a light that heals, reveals, and gently remakes us, if we allow ourselves to surrender to its embrace.