Marc Andrews’ intimate conversation with Barton reveals an artist who understands that pointing people to disco is “probably one of the most important things I can do—it means freedom and a celebration of who I am.” Speaking from his Berlin base, Barton explains how The Afterlife emerged from a profound realisation during the pandemic: “I would be very regretful if I died tomorrow and hadn't done this.” His eclectic covers—from Grace Jones to Neil Young—demonstrate that sophisticated disco can transform any song when approached with authenticity rather than commercial calculation.